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Mozart, W.A. (Seiffert, ed.): Concerto No. 5 in A, K.219, urtext (violin and piano) yamaga0526 1756-1780) stayed true to the

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1756-1780) stayed true to the Jakob Stainer-oriented family tradition which had been such a major influence on the Viennese style

who worked in San Francisco from the 1930's

retouching and French polishing using the mixed varnish which as been perfected by his father over his career

It may well be that the Ondricek finger patterns contained in this book are appearing in print for the first time

Mozart, W.A. (Seiffert, ed.): Concerto No. 5 in A, K.219, urtext (violin and piano) yamaga0526 1756-1780) stayed true to the

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